I’m very pleased to report that today Diana Erickson of One Sweet Dream has posted the single longest podcast interview, to date, I’ve ever done (although I suppose if you combine all my SATB interviews, it would rank a distant second). We cover a lot of ground, with particular emphasis on the Maureen Cleave interviews and the sculpting of the Beatles image. For those who are interested, here’s the link:
Questions and comments are welcomed.
Completely non-Beatles related note: For anyone who is even remotely interested in Abraham Lincoln, The American Civil War and historiography, I cannot recommend Lincoln’s Boys: John Hay, John Nicolay, and the War for Lincoln’s Image, by Joshua Zeist, strongly enough. Zeist delves into the lives of Lincoln’s two secretaries, John Hay and John Nicolay, their roles as witnesses to history and, more importantly, their crucial and massive impact on Lincoln and Civil War historiography.
Lincoln’s only authorized biographers, they published a ten volume biography of Lincoln in the late 19th century that benefited, immensely, not only from their own personal memories and documentation, but from the privilege and power of being the only researchers allowed, until 1947, full access to the Lincoln papers. (As we have recently noted on this blog, regarding the cancellation of Doggett’s Prisoner of Love, control over rare documents ensures a measure of control over a historiography). Zeist discusses issues familiar to readers of Beatles historiography: influential secondary sources far too dependent on retrospective interviews, rather than documentation; authorial disputes regarding crucial and legacy defining writings; how elevating the reputation of one individual in history seemingly can require demeaning another; and the role audience plays in demanding a preferable interpretation from its historians. If given a chance, I hope to write a post further exploring the parallels.